Context for their Budget Requests: A Half Septina for the CDC (Kathrine Varnes)

No one wants to admit he is vulnerable
After those blissful years of entitlement.
At the salad bar, “So much diversity!”—
Before most people had heard the term transgender,
Back when civil rights were a zygote fetus,
And the moon had no flags. What’s wrong with evidence-based?
Would you trust a surgeon who isn’t science-based?

Would you fly a plane that isn’t science-based?
Even Air Force One is vulnerable
To physics, and magic carpets are evidence-based
If you see them. Define entitlement
And liberty. Say where they get the fetus
Imagery for those posters. Diversity
Is more than a buzzword. People are born transgender.

Virginia Woolf’s Orlando was transgender
By divine intervention, not science-based.
Faster than evolution, her diversity
Of man then woman made her vulnerable
Now that she had the goods to carry a fetus.
Every work of fiction is evidence-based,
And sitting down to write it, entitlement.

Entitlement for all! Why should they shun transgender?
Evidence-based funding is good. Science-based
Language like fetus has value. We all feel vulnerable.
What sad, silent-auction price will diversity fetch?

 

Kathrine Varnes is the author of The Paragon and co-editor with Annie Finch of An Exaltation of Forms. She schleps her acting son to NYC for auditions or acting gigs when she is not writing or teaching at FIT.

Inspiration:  Seven words is one too many for a sestina, so I invented the septina and wrote half of one in an effort to reclaim these CDC-quarantined words. What better group to reclaim this ceded rhetorical ground than the unacknowledged legislators of the world?

2 thoughts on “Context for their Budget Requests: A Half Septina for the CDC (Kathrine Varnes)

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s